Published 1 SEP 2024

Ghost Image
With works by Alexander Basil, Pablo Bronstein, Elijah Burgher, Michael Buthe, Daniel Correa Mejía, Anders Dickson, Hervé Guibert, Christoph Hänsli, Almut Heise, Hortensia Mi Kafchin, Pierre Klossowski, Sholem Krishtalka, Karen Lamassonne, Jannis Marwitz, Piotr Nathan, Paul P., Maaike Schoorel, Helen Verhoeven, Amelie von Wulffen
Curated by Krist Gruijthuijsen

Opening – 8 SEP 2024, 2-4 pm
10 SEP until 2 NOV 2024

Galerie Judin is pleased to present a very special group exhibition for this year’s Art Week, celebrating the merits of parting KW director Krist Gruijthuijsen and sweetening the departure of this brilliant curator for us left-behind Berliners.

Hervé Guibert
Vertiges, rue du Moulin-Vert, 1984
Silver gelatin print
22.5 x 14.7 cm

Courtesy Les Douches la Galerie, Paris / © Christine Guibert

The French author and photographer Hervé Guibert once wrote “My body, due to the effects of lust or pain, has entered a state of theatricality, of climax, that I would like to reproduce in any matter possible: by photo, by video, by audio recording. It’s a laboratory that I offer up as a performance…”. He wrote this knowing his life was coming to an end due to his HIV/AIDS condition. Guibert wrote about photography, particularly about the photographs that are not taken. He was interested in the psychology beyond the frame of an image.

Guibert pooled his according thoughts and writings in a collection of essays, titled Ghost Image. Perhaps the most affecting text relates to the day on which Guibert’s mother, usually shy in front of a camera, agreed to have her portrait taken. She was forty-five and stood, as we are told, on the threshold between beauty and old age. She allowed her hair, mostly worn up in tight curls, to be taken down, washed and combed by her son. The intimacy of this moment is palpable, and it becomes clear that on this day mother and son were actually collaborating with one another to create a special moment in their relationship. However, Guibert failed to properly load the camera and the fruits of their shared endeavor resulted in nothing more than a blank slate of film.

Paul P.
Untitled, 2011
Drypoint and chine collé on paper
26.5 x 19.5 cm

Courtesy of the artist and Cooper Cole, Toronto

Amelie von Wulffen
Untitled (Tree hugger), 2017/2020
Oil on canvas
100 x 80 cm

Photo: Gunter Lepkowski / Courtesy of the artist and Trautwein Herleth, Berlin

The exhibition Ghost Image takes the example of Guibert’s intimacy with his mother as a starting point to question the representation of the self beyond the grasp of an image, one that is fueled by the depiction of memory and loss and rendered through the lens of painting. With each of the many artists responding to this subject in his or her own way, the show presents a loose and intuitive testament to the complexities of self-presentation and, in particular, questions our understanding of memory and depiction.

The show will be accompanied by a comprehensive and complimentary brochure which will be available at the gallery during the course of the exhibition.

Almut Heise
Mädchen vor Toilettenspiegel (rosagrüne Kacheln), 2006
Oil on canvas
110 x 60 cm

Photo: buero noc, Berlin / © VG Bild-Kunst, Bonn 2024

Maaike Schoorel
Toothbrushes, 2024
Oil on linen with pigments, copper and silver leaf
50 x 45 cm

Photo: Sander Tiedema
Courtesy Mendes Wood DM / © VG Bild-Kunst, Bonn 2024